Surely, the new-age Anarkali who stole our hearts. Malaika had danced wonderfully in the song, and she looked stunning in it. Last on the list, we have Anarkali Disco Chali from Housefull 2. From her dance moves to her expressions, everything was just perfect in this song. Munni Badnaam Hui is Malaika’s most famous track till date. The list would have been incomplete without Munni Badnaam Hui from Dabangg. Ghoomar and Rangilo Maro Dholna Choreography. Accompanying him we have students of USSH, DEPARTMENT OF INDIAN STUDIES 2014 (left to right). Malaika looked super hot in it and we surely can’t forget her pole dance in the song. He is a brilliant singer and his love for Hindi and India is unmatched. Composed by Anand Raj Anand, sung by Richa Sharma, and performed by Malaika Arora, Maahi Ve was like magic on the big screen. Rangilo Maro Dholna (1999) Who can forget this Garba Anthem that still continues to make people crazy whenever it plays The song united Malaika and her former husband Arbaaz Khan for the first time, but it’s a song much beyond that. The song Mahi Ve from the Kaante was surely the highlight of the film. Well, Malaika’s thumkas stole the show in the track. It was surely not an easy song for the cast and crew as it was shot on the top of a train. Malaika made her big-screen debut with the song Chaiyya Chaiyya in the film Dil Se. Even after so many years, people love to listen to the song, and Malaika had danced her heart out in it. It was a music video which released in the late 90s and featured Malaika Arora and her former husband Arbaaz Khan. We have to start the list with the song Rangilo Maro Dholna. Today, on Malaika’s 47 th birthday, let’s look at the list of top five songs of the actress… In a career spanning more than two decades, Malaika has featured in multiple dance numbers. Even if a song isn’t that great, Malaika saves it with her thumkas. Malaika Arora is undoubtedly one of the best dancers we have in the industry. Malaika Arora (Photo by STR/AFP via Getty Images) And who would have thought she would prefer going to a disco over Salim Ki Gali? Anyway, quite a dinchak song that shall make you put on your dancing shoes.Birthday Special: Top 5 songs of Malaika Arora That longing and pining for love in the 1960 Mughal-E-Azam was long left behind! In 2012, Malaika, who played the Gen-Next version of Anarkali, was sexy, sultry and seductive. Salman Khan’s madcap dance moves, his nonchalance, and of course, Malaika’s oomph and fluid dance moves makes this one hell of a crazy song!ĥ. After all, she was rechristened as Munni after the blockbuster success of the film and it revived the trend of special dance numbers, that are addressed as Item Songs by a majority of the people. One cannot miss this, should not miss this and definitely will not miss this song when we talk about Malaika Arora. Malaika’s dance moves coupled with haunting lyrics and music made it a song worth revisiting! There’s an unexplainable sadness attached to this song, and still it’s regarded as a dance number and even shot as a dance number. Who can forget this Garba Anthem that still continues to make people crazy whenever it plays? The song united Malaika and her former husband Arbaaz Khan for the first time, but it’s a song much beyond that. It’s one of those rare dance numbers who’s thunderous beats and breathtaking vocals of the singers only get better with time! The song that made the popularity of this Mani Ratnam directorial quadruple, it’s not only remembered for its maddening idea and imaginative choreography, but also the electric chemistry between Malaika and Shah Rukh Khan. So here’s a list of her Top 5 songs that will always be EVERGREEN:. Trust Arora to raise the temperature with her smoldering and scorching persona and make audiences go weak in their knees with her seductive and sensual dance moves. We won’t call them as item numbers but special songs that only elevate the entertainment of the films they are a part of. Malaika Arora, who celebrates her 45th birthday today, is hailed as the queen of chartbuster songs.
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